Music
Tori Amos' Makeover at Massey Hall
Tori Amos showed off her piano and vocal prowess, and an outfit to match, Monday night at Massey Hall.
She's still got a lot of flourish and finesse to her playing. But I missed the witty banter she used to dole out in between songs. It had been about 10 years since I saw her live in Toronto and I'm not sure I like the current, elegantly coiffed, '70s glam-inspired Tori as much as the one I was used to.
A shock of orange hair now straitened and (with extensions) running halfway down her back, she took to her piano bench in a flowing, blue dress with a generous opening down the front, revealing silver, skin-tight leggings. She provocatively straddled that bench as she put herself full-tilt into song after song without much pause or acknowledgment of her audience, except for a few curt thankyous.
Her Montreal media photo op the next day seems to confirm my suspicions that Amos is currently somewhat confused about how to best portray her image. The tour program was rife with such glamour photo shots which she may have been trying to replicate for the local press.
Amos was perched upon one of the three platform-like stages, where she sat at a grand piano for most of the evening, turning around to face another couple of keyboards behind her every so often.
It was amazing how rich a sound she got from them (and her voice), accompanied only by two other musicians: a drummer to her left and guitarist/bassist to her right, each on their own little riser. It was like they were on three separate islands, not quite connecting with each other much visually throughout the night, but a pretty tight unit musically nonetheless.
A half-disco ball on the floor of the stage, behind the piano helped scatter some of the sparse stage lighting, which added splashes of colour to the rather drab backdrop. The focus was obviously on the music.
Amos' tour is currently supporting her 10th studio album, Abnormally Attracted To Sin. Her songs, still often sounding like confessionals -- after all, her father was a minister -- gave me something to ponder during some of the longer, slower and drawn-out numbers. I began to notice that she started extending words like understand an extra two syllables.
Amos looked almost possessed at times, often getting up on her six-inch-platform shoes, standing with one hand each on the piano and keyboard, head cocked back, her hair glistening in the spotlight.
Similar to the Depeche Mode concert a couple of weeks ago, she didn't really hit her stride until the second half of the concert, when her accompaniment left her alone on stage under the "Lizard Lounge" sign, the backdrop a curtain full of blue LED lights, setting a new tone.
Her drums and bass were soon back again as they launched into what started out as a jazzy number. I spotted the bass player deftly switch from a stand-up bass to an electric bass mid-song. The instrumentation often made for an odd combination, as there was never a guitar and bass playing at the same time.
A few songs later and out came a replacement set of keyboards -- an organ of sorts -- that gave a little more oomph to her sound. The crowd, only about two-thirds capacity, finally came to life after a heavy intro of staccato drums and flashing spotlights signalling the opening of Precious Things from Little Earthquakes, creating an hypnotic effect.
I left wishing she'd have performed more familiar songs from her earlier repertoire, such as Winter and Crucify. Or even one of her awesome covers, such as Smells Like Teen Spirit or A Case of You.
Before too long, Amos skittered off stage in her heels, returning for an encore that included Big Wheel, leaving the audience cheering for more.
Photos by Roger Cullman.


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The photographer, Roger Cullman, has a filthy mind. Is BlogTO turning into a porn sight now?! Shame on you.
An attempt at attracting a newer, younger fan base at the risk of alienating her existing (rather large) base? Perhaps.
If it's an attempt at attracting a newer, younger fan base, so be it. But I think that as long as she keeps doing what she's been doing for over 20 years now, and it doesn't hurt anyone, let her look as sexy as she wants to. I'm sure her old fan base doesn't mind. :)
And I disagree with Moneesha: the photos are very flattering (good job, Roger). Tori's been humping her pelvis at audiences for years and years now. The photos are simply an accurate representation of what she gets up to.
I saw her several years ago at the don't-drink-Molson Ampitheatre, and she didn't talk to the audience at all, except for about halfway through, when she broke out into one long story about a border crossing. It's a pity that she's not chatting up the crowds anymore. I think that's what makes singer/songwriter type artists so powerful up on stage. It's about the people.
But she still is an ethereal goddess...
Moneesha, get your head out of the gutter.
I'm also one of those fans who actually thinks Tori's music is getting better, and I'm not praying and hoping that she plays more songs from "Little Earthquakes" and "Under the Pink". I've grown with her, and if she was still singing and writing music from a 28 year old's perspective I would find that tragic. In fact, Tori is now 46, and people should just start accepting that she is, and they too will one day be 46. These ageist and sexist remarks are unflattering. No male singer would read a review of himself that spent paragraphs discussing the way he looked.
The flickr photo of her is a photo op, I don't find anything wrong with her performing for the camera, what do they want, for her to come out and just sit there? What disturbs me more, is the reference to her "puffy face" and her "old hands" and her "paunch." Seriously? I met Tori before her Toronto show and let me tell you that for a 46 year old woman, she appears to be quite the natural beauty, and extremely confident.
Regardless, the show was amazing, one of the best I have seen of her, and I would really wish that the focus of the review was on that and not on her appearance.
Anyhow, just a thought. I am a young fan, but I have listened to her music on and off since I was in grade 6... and it doesn't seem like she has drastically changed. She has always been a performer, and musically genius.
I comment on the outfit in my review because it was, for me at least, an integral part of her performance. Her entire look and attitude seems to have shifted over the years and this was too obvious for me not to mention. I'd do the same if it was Rufus Wainwright wearing the heels. :)
And I love how you say you would comment on Rufus Wainwright if he came out wearing heels. Would you comment on Tori is she came out wearing running shoes or flats? Probably not, when it's something feminine though, you feel the need to attack it. I'm kind of tired of male reviewers going after a female artist based on her appearance, and somehow really enjoying it and at the same time oblivious to the double standard he is clearly reveling.
I am more upset by the behaviour of certain audience members at concerts like this, where the focus should be on listening and fully experiencing the show. The only unfortunate part of the evening was the three ladies, dressed in pseudo Tori outfits complete with wigs, who sat behind us and spent most of the concert talking loudly and ruining the enjoyment of Tori’s performance for those seated around them. They were obviously enjoying their drinks. Even after we asked them to be quiet, they continued to be purposely disruptive, rude and inconsiderate. They kept getting up and leaving to get more drinks or smoke or use the washroom. What’s the point of attending a Tori concert if you’re going to talk through most of the evening, leave for many of the songs, and ruin it for other fans?!
At the end of the show, the three ladies rushed the stage for the encore. Something happened during the encore to one of the loudest of three and she was either escorted out or left abruptly. After the concert, as we were exiting, the woman who had left was re-entering the auditorium and she apologized to us for talking to which we again expressed our disdain for her behaviour and to which she responded by calling us “Gay!” We said, “We are gay,” and continued to leave. If she was truly sorry, she would have altered her behaviour when we addressed her during the concert. Proceeding this she caught up with us a block away from the venue and called us “Faggots”. We told her she was being homophobic and she insisted she wasn’t homophobic, but based on her actions I doubt she even knows what it means. She continued to say we were more feminine than she was and that we liked to suck more cock than she did. Classy lady.
I admit that I, out of frustration and anger, said things I probably shouldn’t have, made assumptions about these three individuals without knowing them and unfortunately stooped to her low level instead of walking away, but I was very upset and caught up in the moment. In retrospect I wish I did not engage with them at all or say anything to them.
It’s unfortunate that our evening was ruined by the actions of a few. I have always felt that Tori has some of the most amazing, tolerant, accepting, beautiful fans. I was so disappointed to have had this encounter. I will definitely try to remember all of the positive things about the concert – the music, the other fans who supported us and agreed that the behaviour of these individuals was unacceptable, and of course, Tori herself. However, I will continue to question why some people attend a sit down concert and expect it to be like any other standing room only, crowded bar rock concert when there is obviously different etiquette required.
Dont fall off your soap box.
Never let others rain on your parade! You seem to have spent alot of time focusing on the annoyance. Try learn not to be annoyed by others, you are in control of yourself and your emotions not them!!
PJ
Damn her.
Yes Keith we get it. We all know its prevalent. Even at a Tori Amos gig. Apparently somewhere you thought was supposed to be the happiest place on earth.
http://www.la2day.com/files/u43/jewel_gets_married.jpg
No other artist moves me like Tori. I have been a huge fan since the late 90s and her music will keep me company until I go deaf!
http://undented.com/tour/1722/toronto-on