theweddingpresent

The Wedding Present & Co. bring CMW 2012 to a close

Despite legitimate criticism concerning Canadian Music Week's relative lack of A-listers this year, it had been a more than exhausting five days as the fest drew to a conclusion Sunday night. It occurred to me as I walked into the Horseshoe Tavern that aside from Friday night's set by New York-based Nicolas Jaar, every band I had seen (and there were a good many) had actually been Canadian, making the festival nothing if not true to its name.

With my Canuck quota more than filled, I anticipated at least some degree of eclecticism as the Wedding Present, originally from Leeds, were currently on tour with two international acts, Tokyo's Toquiwa (formerly Pinky Piglets) and Washington, D.C.'s the Jet Age.

toquiwa

Having dragged myself out of the house on little sleep primarily motivated to take in the headliner's gloriously fractured angular guitar rock, I had little idea of what to expect from the other bands rounding out the bill. I wound up happy to fly blind for Toquiwa's set, as the all-girl Japanese band couldn't have been more of an aesthetic departure from the Wedding Present's stately mope-rock. Beginning the set as a two-piece bass-and-drum combo and eventually expanding to include a guitarist and vocalist, Toquiwa seemed to specialize in jaunty, energetic tunes that, despite the language barrier (my Japanese is a bit rough), had no shortage of immediate pop sensibilities.

toquiwa

With seemingly endless charisma onstage — not to mention the audience, when they jumped onto the Horseshoe's checkerboard floor at one point — Toquiwa charmed the steadily building crowd during their all too brief set. Nowhere was this more apparent than on their faithful take of the Wedding Present's "Kennedy," which got more than a few ecstatic fans singing along. Covering the night's headliner is not a conventional move for an opener, especially when the song in question is one of their most enduring tracks, but Toquiwa pulled it off without it seeming too much like a gimmick, winning the crowd over in the process.

Occupying the timeslot between the sheer exuberance of Toquiwa and the heavily anticipated Wedding Present is a daunting task, and the Jet Age were up next to see if they could rise to the challenge. The trio's riff-centred rock was certainly competent, but ultimately failed to make much of a lasting impression alongside the rest of the night's bill.

the jet age

With a sound equally indebted to the distortion-caked hooks of Husker Dü and relentless guitar shredding of Dinosaur Jr., the Jet Age didn't break any new ground with their set. Ingenuity isn't, however, always a necessity for enjoyment. While I won't be rushing out to purchase their records (the most recent of which, Domestic Disturbances, was just released in January and is presumably from where they culled most of the night's material), the band's familiar sound and impressive musicianship held my attention while waiting for the Wedding Present.

After the Jet Age finished, I was relieved to see that in the time it took me to grab a beer from the Horseshoe's front bar, the back room filled nearly to capacity prior to the Wedding Present taking the stage. Interestingly, while touring in support of their third album since reforming in 2004, Valentina (their eighth overall), they've opted to play their 1991, Steve Albini-produced masterwork Seamonsters in its entirety. While it's unlikely that any fan of the Weddoes would frown upon this move, as Seamonsters is possibly their most universally lauded album, it could be seen as the band blatantly disregarding their new material in favour of crowd-pleasing nostalgia trips.

the wedding present

Luckily, anyone subscribing to this train of thought was able to breathe a sigh of relief as Dave Gedge, the group's sole longtime member, emerged onstage with a reconstituted band that, while noticeably younger than he at 52, suited both the new and old songs perfectly. Starting off with a smattering of

the wedding present

Valentina tracks, as well as early set highlight "Quick, Before it Melts" from Gedge's time fronting Cinerama while the Wedding Present were on hold, the band got to the performance of Seamonsters about halfway through the 90 minute set. These weren't bloodless, note-for-note recitals of the ten songs comprising Seamonsters, mind you, but fully invested, powerful renditions that only added to the pathos behind the album's sardonic detachment.

Gedge sporadically punctuated the set with affable humour and gratitude, adding after the Seamonsters component of the set was done, "I hope you've all enjoyed tonight. It's tough with Seamonsters, sometimes... it's pretty intense." While there's no doubt that it's an album that stands up to the test of time, Gedge is correct in his description that it's one that can be a bit of an emotional endeavour to experience, especially in a live context. Nonetheless, it somehow congealed effectively with the band's new material, and upon closing with their 1989 single "Don't Talk, Just Kiss," the Weddoes added some necessary levity to end the night — and festival — on quite the high note.

Toquiwa photos by Frank Yang / The Wedding Present and The Jet Age photos by Bruce Emberley


Join the conversation Load comments

Latest in Music

The top 10 concerts in Toronto this April

You can buy an unlimited concert pass for Budweiser Stage this year

Toronto singer Daniel Caesar slammed for implying black people can't take a joke

Ashanti and Ja Rule are coming to Toronto

Veld releases its 2019 lineup

One of Toronto's last reggae bars is closing

Paul Anka is the latest artist to beef with Drake

Bud Light Dreams releases its 2019 lineup