Music
TTC Busker Profile: Andrei Denga (featuring Sacha Popov)
Both commuters and cold winds swept through Queen's Park station on the afternoon that I met TTC buskers Andrei Denga and Sacha Popov. I watched the duo cue each other seamlessly into different songs, often with only a sidelong glance or the slightest of nods. They hardly needed words to speak to each other.
Unfortunately, mild-mannered accordionist Sacha and I could not communicate because he knew only Russian, which I didn't understand. Even the more outspoken violinist, Andrei, who knew more English, warned me before I interviewed him that his was not very good.
Slowly, as Andrei unraveled the story behind his violin and his case filled with curious currencies, I discovered that language barriers can be overcome with a careful ear. And as was evident from their lively performance, these two were old hands at their musical craft. Music was something we could all understand, and it was something in which they were fluent. After all, according to Andrei, music is but a beautiful message.
How did you meet Sacha Popov?
Musicians are always doing a similar thing, you know, and are old acquaintances. Especially those who play in the subway a long time. They meet sometimes, listen to each other, talk, and try [to play] together.
Do you usually play by yourself, or with Sacha?
I play by myself, I play with Sacha, I play with other musicians--keyboard players, guitarists, accordionists. It's different. The last several months, I've played with Sacha. I meet all these people on the TTC.

Where are you from?
I'm from Russia. I came to Canada in 1991. First year I came, I was working as a waiter in a Ukrainian restaurant, and in my second year, because I had the highest musical education possible from Russia, I began work in the TTC.
How long have you been playing the violin?
From childhood, 7 years old.
What is your musical genre?
We play different types of music. We play classical, some popular stuff, old music, romance, a little bit of jazz...a lot of different stuff. Depends on the mood.
I noticed you had ribbons on your hat and jacket, and in your violin case.
Yes, in the station after Christmas they were selling these ribbons for charity, so I got some.
I also noticed that you had a few interesting types of currency on display in your violin case. Can you tell me about those?
They are very rare. There's a one dollar bill, Canadian. Another is a two dollar Canadian bill. And another one is a fake one million dollar bill, American. I have a fake one billion dollar bill, actually, also American. You've never seen it? It's some kind of antique. People gave them to me. They didn't have a lot of money at the time so they put in these ones.
How long have you been a TTC busker and why did you become one?
I've been a TTC busker for 18 years. I began in 1992. I began work in the TTC because I like playing music. Composers don't know how the melodies and harmonies come into their head, they just write it, and that's why music is a beautiful message. Serious music especially has a message. Genius music, like Mozart or Bach.
The best part of my work is when I find a new song, and people feel it, and understand it, and appreciate it. I think my work is the best in the world.
What do you do when you're not busking?
Sometimes I give lessons, but not so often. I like playing music and making music myself, I don't like to teach as much. When I'm not busking, I relax by watching movies, listening to music, talking to my friends, traveling somewhere.
Are there any interesting stories from your busking that you'd like to share?
Sometimes people stand and listen, like you today. But one day, an old lady stood and listened for maybe 40 minutes, maybe one hour. When we stopped, she came and asked if I was looking for a good violin. I said, "Yes, of course." When I came to Canada, I was playing a bad instrument, and I was looking for a good violin for not very expensive because I didn't have so much money.
She said, "You know, my husband played violin, but he died 32 years ago. I still have his violin in my apartment, but somebody should play this instrument. If it's a violin and nobody plays it, it's bad for the instrument."
We exchanged our phone numbers, and I came to her home, and she just gave it to me. It's the violin I play right now. I couldn't believe it. Finally, this was like a present from the gods. An old musician in the subway has told me, "Your violin is the best in the TTC."
What's the most interesting thing you've had dropped into your case while you were busking?
People put in sometimes big bills, very big bills. There are some $50 and $100 bills. I've gotten candy, chocolate, and sometimes alcohol. Small bottles of brandy or scotch, things like that. On Valentine's Day several years ago, one woman put in a red rose and a message: "Your music makes me happy."
Watch Andrei and Sacha play the The Blue Danube by Johann Strauss II below.
Every Friday, TTC Busker Profiles aim to shed some light on the talented people who add a little something to our daily commute -- Toronto's true "underground" musicians.


Discussion
16 Comments
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People have their opinions, likes and dislikes, complaining that something doesn't meet your standards doesn't make you sound any smarter and it certainly doesn't show any class either.
And it's not about my 'standards'. I have no desire to 'sound smart'. I could not care less whether my complaints evoke a sense of something as nebulous and superficial as 'class'.
When Denga (and later Popov) was at King, he performed in a small space that was basically a hallway and the volume was too high (I'm not sure if he was amplified or not) for that space. Even if I did like his playing, it still would have been incredibly intrusive and unpleasant to walk past.
It is a fact that there were complaints (not from me, incidentally) about the noise level and the TTC moved them to a bigger space. Now someone else can enjoy them.
I don't see what's wrong with stating my experience with them, which happens to be different from yours and that of the other commenter.
There's a classical guitarist, also at Queen's Park, who is really good and understands that playing in a tiled public space doesn't mean pummelling the audience's eardrums. Likewise the accordionist in the tunnel at Spadina.
Not having class is distilling your experience down to a few insulting words and posting it. It's a no win situation, so why spend the energy.
Have a cloyingly, sacchrine day. enjoy a quaalude though that might make things a bit slurry. ;-) cheers.
P.S. There's one other busker in this series that I really dislike, I didn't bother posting on it, though someone else did. I wonder if you can guess which one it is.
Well, you did seem to suggest that my dislike of these guys constituted 'hate' and did not make for a valid comment.
'as much as it needs that much detail to make your point, unfortunately few people really care to read that much'
I made my point in my first comment but as short as that one was, I apparently ran afoul of the 'positive comments only' rule.
'P.S. There's one other busker in this series that I really dislike, I didn't bother posting on it, though someone else did. I wonder if you can guess which one it is'
I wonder why you think I could possibly be bothered to find out.
I seem to remember a negative comment somewhere, but so what? Someone else probably considered a busker to be irritating or lacking in talent, and good on them for saying so. If I read a profile of a busker I like, I might comment on that too. Same principle.
I have no idea what "people's problems with Torontonians" refers to or how it might be harder to defend than before. Could you explain that, please?
The analogy with trains is a non-starter since the trains are serving an essential purpose and their noise is just a necessary evil.
jennifer [at] blogto [dot] com
there's also a really talented erhu player @ finch station...hopefully you'll be able to interview him one day as well!