Metric Turn Into Rock Stars
Metric returned to Toronto's Mod Club (the place that held their first Toronto headlining sold out show back in January 2005) - and they returned as rock stars. I'd been waiting for them to play the Mod Club since they exploded with 'Live it Out', so I was extremely excited about their performance on April 14th.
What had stayed the same and what had changed since their first Mod Club appearance? Sure Emily Haines might sport blonde hair now, but other than their appearance, something else has changed - the crowd.
I got to the venue a little late, so I missed their entrance/intro. I forgot to bring my good camera with me to the show so I was a little bummed that I'd be missing a great opportunity to take pictures. Thankfully a friend of mine, Stephanie Luong managed to take some amazing shots of the chaotic night (check out her Flickr page to see the rest of the set).
During their 'Old World Underground Where Are You Now?' era, fans were able to recognize one another from show to show. Not likely anymore. It was hard to enjoy their performance with jocks butting in to grab the tips of Emily's fingers, and the group of dolled up drunken girls behind me screaming in my ear. (They were attempting to chant all together that they loved Emily... how original!)
The crowd ate up the performance, and wanted seconds. I'd never seen a crowd so star struck for a local act, but I wasn't surprised. It's weird to compare the audience's reaction to the band now and how they reacted to them in 2004 when they supported Billy Talent at the Docks (aka the Sound Academy)
I'd gotten tickets to watch Metric, but my experience turned sour after people started throwing bottles at them during their performance. It's funny because the only difference between the jocks/girls yelling in my ear at the Mod Club and the crowd at Billy Talent's show were the lack of bottles being thrown on stage. People now throw ass-kissing phrases to the band instead, and try to grope Emily inappropriately. Not cool.
Even though this show was supporting the release of 'Fantasies', I still missed hearing some of their older songs. Either way, the songs that they did perform sounded flawless. What you hear recorded on a Metric album is 100% real - there's no vocal correction bullshit. I guess this explains their mass appeal to the globe.
A highlight of the night was seeing Emily play electric guitar in 'Gold Gun Girls,' and hearing her speech about self-identity. It was also sweet hearing Dead Disco - still a favourite among the audience.
My friend pointed out to me during the show that Chris Evans was somewhere in the crowd, which is curious considering he is starring in Edgar Wright's Scott Pilgrim Vs. The World - the film in which Metric will lend their unreleased track 'Freddie' to (perhaps they're making another cameo?)
Metric ended the night living up to the hype and promotion of the show. And although I find it a bit saddening, the result of their return to the Mod Club confirmed to me that Metric are no longer an underground-local act; they're international rock stars.
SET LIST @ MODCLUB
1. Twilight Galaxy
2. Help I'm Alive
3. Satellite Mind
4. Handshakes
5. Sick Muse
6. Gold Guns Girls
7. Gimme Sympathy
8. Collect Call
9. Empty
10. Front Row
11. Dead Disco
12. Stadium Love
Encore:
13. Monster Hospital
14. Live It Out

Photos by Stephanie Luong (April 14th 2009 performance) and me (January 2005 performance).
Comments (19)
No exaggeration, I was at the January '05 Mod Club show and it was one of the best live events I've been to. Wish I coulda been at this one.
This review pretty much solidified most my fears. I remember seen Metric live 4 years ago and the crowd was definitely borderline rowdy but nothing as bad as this. I think their new album is catchy and very solid but I don't think I will be attending any more of their shows in the future, such a shame.
I've been guilty of it as well in the past, but perhaps I detect a little bit of "I knew them back when..." snobbery. Like REM fans who bailed when they signed to Warner, or Sonic Youth fans who won't listen to any of their DGC albums. Metric are a good band, and they weren't going to belong to the same 100 cooler-than-thou Toronto scenesters forever. You'll always have 2004.
Oh boo hoo! I hate it when bands I like are also liked by people I share no common interests with. Always such a tragedy in my life and requires me to dig even deeper into the anus of Pitchfork for something more obscure. I fear my bedroom walls bare much of the brunt of this as I have to replace my Emily Haines posters with CATL posters, oh the pain of thumbtacks and stickytack!
It’s hard to forget seeing Emily Haines too high and self conscious to play her solo show last year at the Phoenix. Ever since then I think of her as a loser, and it’s difficult for me to actually enjoy Metric. I guess drugs usually come along with fame if you have no self control.
Yeah I agree, Metric blew up a few years ago Vfest style, took Wakestock with Wutang last year, amongst a handful of other performances.... great live act.
Yeah Metric did blow up long ago.
But my whole poing was to have a perspective from then and now.
-first mod club show-and now.
So if someone was to have just seen the two shows, this is what their reaction would have been. (hence my shot of emily at mod club in 2005, and stephanie's shot of emily at mod club 2009)
I never said I didn't like Metric anymore. I think it's clear enough that what I dislike is the crowd. Which means I still enjoy them as a band (not going to dig deeper into the anus of Pitchfork)-just their shows are a different experience now.
g on; this photo would only be not safe for work if your employer has the same eagle eye for nipples as you do... either way, that is totally emily haines' nipple in the top photo. Immature to notice maybe, nipple nonetheless.
i'm not sure if i'm thinking of the same show (jan 05), but i saw a metric show at the mod club a few years back (bad snow storm as i recall), and it kind of sucked. they had trouble with the prerecorded melodies on the sync/keyboard, kept starting/stopping/starting, and in the end, abondoned playing some songs because of "technical issues". disappointing.














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