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The location of culture in Toronto (maps)

Posted by Derek Flack / October 4, 2011

Cultural Sector Maps TorontoA new report on the state of Toronto's cultural sector prepared by the Martin Prosperity Institute and a variety of other groups including OCAD U, E.R.A. Architects and Wavelength/Music Gallery will be considered by the City of Toronto's economic development committee this Friday (October 7th). Titled "From the Ground Up: Growing Toronto's Cultural Sector," a major component of the report involves the identification of cultural clusters within this city. "Growing Toronto's cultural sector begins with identifying cultural locations from the ground up," reads the preface. "Once identified, the impact of conditions, policies, and official plans can be evaluated to facilitate the growth of existing locations, establish new culturally fertile ground, and prevent losses to important cultural jobs and businesses."

So where is culture located in Toronto? The following are some of the key maps compiled for the report. For larger versions, check out the appendix of the report.

1. The Cultural Location Index
Cultural Location Index TorontoThe Cultural Location aims "to produce a quantifiable, reproducible, city-wide view of the overall geographic concentration of the cultural economy" by focusing on three sources from census tract data: work (percent of cultural occupations by place of work), live (percent of cultural occupations by place of residence), and facilities (the number of cultural facilities in a given area. On the map above, the lightest grey areas rank lowest, while the lime green / yellow areas have the highest concentration of cultural activity.

2. Artists Place of Work vs. Artists Place of Residence
Artists Live Work TorontoOn this map blue dots represent where artists work, yellow is where they live, and green indicates instances in which a residence and workplace are one and the same. Each dot represents 12 artists in a given census tract. Although the cluster is obviously downtown, the sector is far more spread out than one might think.

3. Cultural Workers Top Places of Work and Places of Residence
Artists Live Work TorontoHere we have the most popular places of work and residence for cultural workers. Occupational hubs include Liberty Village, the Entertainment District, Queen Street, and, wait for it, Scarborough at the 401. By way of explanation, the report notes that "Liberty Village specializes in desktop publishing, the Entertainment District specializes in architecture, Historic Queen Street specializes in editors, and Scarborough at 401 specializes in audio recording and video recording."

The most popular places to live are, on the other hand, quite predictable. Making up the top five are what the authors refer to as Parkdale Village, West Queen West, College Promenade, Little Italy, and the Annex.

5. Cultural Workers vs. All Occupations
Cultural Workforce TorontoCultural Workforce TorontoFor context, the above maps show the difference in the distribution of cultural workers from the rest of the workforce in terms of occupational and residential locations. The general trend as far as employment locations tends to be the same, but "where cultural workers strongly differ from the overall workforce is in their residential patterns (Maps 11-12). The general workforce tends to be spread out. By contrast, arts and cultural workers overwhelmingly live near one another, typically, but not exclusively, downtown."

Although there are no immediate financial implications that would result from adopting this report," If the city were to get behind it in a meaningful way — something that's not likely with the current makeup of city council — the authors believe they've delivered something of a roadmap that can help planners to foster a healthy cultural sector by focusing in on those places where it thrives. Above all, what the report hopes to do is convince the City to use its findings "as a planning indicator to inform Official Plan reviews, secondary plans, and community improvement plans" that will help to foster the cultural sector's continued growth.

Lead photo by -stacey- in the blogTO Flickr pool

Discussion

6 Comments

Cee / October 4, 2011 at 04:37 pm
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Are you able to put up versions that can be enlarged?
Andrew Jeanes / October 4, 2011 at 06:51 pm
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Cee, Derek did say "for larger versions, check out the appendix of the report" and provided a link.
Ron / October 4, 2011 at 11:16 pm
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That would involve reading the words rather than just glancing at the pretty pictures.
Whokebe / October 5, 2011 at 08:44 am
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Hope this comment makes it up.

I like looking at the pictures. But this is absolutely useless from a policy perspective.

Richard Florida is laughing all the way to the bank. At least he support gays and bohemians with his cheques I guess.
Andrew Jeanes / October 5, 2011 at 11:31 am
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Whokebe, would you like to defend that statement ("this is absolutely useless from a policy perspective") with, you know, some reasons why?

Attacks on Richard Florida are cheap and easy. This is data, derived from verifiable sources, analyzed and represented on maps. It's useful in informing land use planning policies in e.g. the city's Official Plan, which is currently under review.
Marion Lewis / October 5, 2011 at 12:59 pm
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This reminds me of the early '70's when the CRTC was giving out cable channels. We, the artists working in media, argued for an artists channel. We seemed to be taken seriously, some of us got consulting work from it, we made a really good sustainable proposal and low, the community channel was given to Rogers- and everyone was to hand over copyright to Rogers and contribute for free. It was the inside out of our proposal, made into a overlord model by those with access to power. Later I complained to someone now high up in Rogers that we had not been taken seriously, and he replied" Yes, you were taken seriously, your ideas were considered a threat and every mechanism in place is to prevent the development of a Canadian video economy". And so, a few lucky ones get grants, and there is no sustainable system for showing our work to Canadians.

I think that this wonderful Map demographic information will be used against us. My belief is that the 'world class' builders wish to remove the artists from the core and replace us with condos for ' world class' citizens.

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