There Will Be Blood in Toronto

  • Posted by Matt
  • Filed in Film
  • December 30, 2007

There Will Be Blood
Last night, Toronto played host to one of the ultra-exclusive sneak preview prints of Paul Thomas Anderson's new film, There Will Be Blood. Tickets for this screening came and went in the blink of an eye, though the Varsity did their level best to widen the field by moving the screening to their largest theatre at some point yesterday (it was originally scheduled to run in cinema 4).

The film received thrilled cheers as it started, and an entirely different sort of applause when it ended - a feat in and of itself, given the unrepentently nasty nature of the content.

There Will Be Blood is sitting pretty atop a number of critical top ten lists right now, and the praise is not undeserved; in the five years since Punch-Drunk Love, Paul Thomas Anderson has gone off and made a film so unabashedly vigorous in its wholesale excision of the American soul that, had it been made sixty years ago, it might well have overcome Citizen Kane as the film that everybody thinks is the best film ever made.

Loosely based on Upton Sinclair's Oil!, the story concerns Daniel Plainview (Daniel Day-Lewis), a prospecting oil man so repellent he makes Day-Lewis's infamous Bill the Butcher from Gangs of New York look like Mr. Hooper from Sesame Street. To call Plainview's arc a moral disintegration would be to suggest that he had morals to begin with; from the moment the character drags himself out of a prospect shaft with a broken leg and spits venom at the big blue sky, he's as loathsome as anyone we'll ever meet in film, and he goes downward from there.

This makes for a film that isn't a great deal of fun, but Anderson's dyed-in-the-wool fetishism for movie-making brings a lot of joy nonetheless. (Think Kubrick meets Malick circa 1977, and you're in the ballpark.) Haunted by a nightmarish Jonny Greenwood score and populated by a broad swath of unrecognizable character actors, the infernal world of There Will Be Blood lingers in the soul long after the film's startling, hell-and-damnation climax has unspooled.

After a year that has seen genuine moral complexity and darkness creep back into the world of American cinema (No Country for Old Men, Zodiac, Gone Baby Gone, 3:10 to Yuma), There Will Be Blood comes along at year's-end like a rotten cherry on top. Definitely one of the year's best.

There Will Be Blood opens in regular Toronto theatres on January 11.

Reader Reviews and Comments

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I cannot wait to see this movie.

Posted by: Sarah at December 30, 2007 11:10 AM

Saw PTA's newest film here in Chicago last night, and it definitely sits up near the top of my top ten list. Stunning work, and I'm definitely up for watching it again when it comes out in Toronto. Anyone wanna join me?

Posted by: Sameer Vasta at December 30, 2007 12:06 PM

Damn, I'm jealous. PT Anderson is my favourite living American director. Jan 11 is taking too long to get here.

Posted by: Johnny at December 30, 2007 1:00 PM

I was there last night, second in line! It was funny. Juno was playing in Cinema 8 right before TWBB and the people coming out seemed physically disgusted that anyone would ever line up for a movie (godforbid). I counted four identical snide comments: "What, did Star Wars just come out or something?" as they walked by the line that snaked all the way to the box office.

As for the movie, Daniel Day-Lewis blew me away. What a powerhouse performance. Simply amazing.

Posted by: Chris at December 30, 2007 4:09 PM

I absolutely loved THERE WILL BE BLOOD. I can, without any reservation, call it one of the greatest American epics made this decade. This is our Godfather part 2 -- not Citizen Kane as some critics have claimed. It's dark; brave; as novelistic as cinema gets; strange and insular; a fable; story of family, and alas the insurmountable greed that destroys it; a study of insidious misanthropy few films have come close to exploring with any actual semblance of truth. Daniel Day-Lewis' eccentric, mannered performance is at once brimming with charisma and oozing with madness and iniquity at the same time. The last two scenes are so well constructed, through dialog, acting, and their protracted nature... audacious... my jaw was locked, my mouth could not shut... "that's cinema," the voice in my head said over and over. It's brilliant, brilliant work.

Posted by: Johnny at January 6, 2008 1:37 PM

It reminded me of Let's All Hate Toronto. Same scope. Same breadth. Incredible! I thought in my mind - "wow" this is amazing.

Posted by: Joe Shmenge at January 11, 2008 4:49 PM

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