Fashion & Style
Breeyn McCarney Fall/Winter 2010
Breeyn McCarney had all the trappings for a great first-time fashion show: beautiful venue, high-profile attendees, and cool music. It's a pity the clothes didn't exactly live up to the show itself, but the presence of a few great pieces show promise for seasons -- and shows -- to come.
McCarney also gets bonus points for cohesiveness--as fellow fashion blogger Danielle Meder of Final Fashion pointed out, newbie designers can often be all over the place, but McCarney's small collection definitely felt all of a piece. The palette was pale pastels and wintry neutrals, and the silhouettes were relatively similar.
I wasn't a big fan of much of the collection -- it felt like a mash-up between early nineties pastel plaid, cotton bustiers, and angora shawls, and fairy-style prom dresses.
The pieces that were more successful, I thought, were the ones that played with shape and detailing. One slinky dress stood out with sharp shoulders and an eye-catching cable-knit photo-print. Then there was the dress with the long, black, beaded strings dripping down from the bosom. Another fan favourite was the sweater with star-shaped cut-outs.
These pieces took the collection up a level, elevating it above the teenybopper gowns floated down the runway for much of the show. These are the pieces that I could see being sought by buyers because -- let's face it -- who's going to purchase the other dresses? They're stranded in the no-man's-land between prom dresses and frocks suitable for the fashionable twenty-/thirty-something set.
But McCarney had a more accomplished first outing than most (prom-like pieces notwithstanding) -- I'm interested to see what she shows us with her second.


Photos by Silvia Drugea.


Discussion
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the looks are the same in order to wear a number of different looks while remaining cohesive to a particular style and shape. maybe a hand knit shawl isn't your thing (i know it's not mine) but i thought the workmanship and the mixture between soft knits and structured leather and suede were well worth the wait.
as well, ignoring the fact that McCarney works at ensuring her collections are completely sustainable, yet not ignoring more luxury fabrics like suede or rabbit fur is doing a disservice to the designer.
all in all, it was a solid first effort, and i can't wait to watch the designer grow.
This looks as good as any show in Paris or NYC. No wonder it's hard for designers to make it out there and have to move overseas to be appreciated.