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Arts, Contact Toronto

Archive Fever: Jeff Harris's 3653 Self-Portraits

Posted by Derek Flack / May 11, 2009

Jeff Harris Portraits ContactThe idea behind Jeff Harris's 3653 Portraits doesn't seem particularly novel these days. Swing by a photo-sharing site like Flickr, and you'll see thousands of people who've committed themselves to take a self-portrait each day for an entire year. But step back to 1999 when there was no Flickr (founded 2004), Facebook (also 2004), nor YouTube (early 2005), and all of a sudden Harris's archival portrait project seems a little, well, prophetic.

While the aforementioned technologies have inundated us with more images and video than at any other time in history, it's also intriguing to consider that so many of these are of ourselves. Over and above the various yearlong portrait projects to be found on photo-sharing sites, popular people on Facebook have thousands of photographs in which they're tagged, and kids lacking political aspirations even film their Salvia trips for posterity on YouTube. In short, we've been struck by archive fever. If you're not archiving yourself, the chances are you're being archived by someone else.

Jeff Harris Brookfield PlaceDespite the Orwellian undertones of that last sentence, the reality is that most of us willingly and happily engage in this process. Whereas in the past opportunities for widely disseminated self-representation were generally restricted to artists and writers, nowadays our cup runneth over. The problem is, of course, that the more entrenched and commonplace these opportunities become, the less we tend to think of them specifically as mediums for self-representation. They become something that we do without putting a whole lot of thought into it.

That's where Jeff Harris' 3653 Portraits comes to the rescue. On display at the Santiago Calatrava designed and (fittingly) often-photographed atrium at Brookfield Place as part of the CONTACT festival, this series might just act as a wakeup call. Forgetting that Harris was using digital technology to create a well-stocked archive of his life well before most of us were, the vast scale (10 years!) of his project can't help but work to defamilarize our own participation in personal life-documentation.

Viewing the multiple 10x12 grids of 4x6 photographs, it becomes easier to see what all this archiving is about. Storytelling. Harris's series blatantly stages the degree to which our image-rich culture has altered the way we narrate our lives. There's quite a difference, after all, between pulling the camera out on special occasions and using it everyday.

Jeff Harris PortraitsSome might say that this propensity to take so many photographs is evidence of the increasing banality of contemporary culture - that for all the images we're exposed to, few are stimulating or particularly revealing. But take a close look at Harris's individual portraits and you might just see a William Eggelston or two. So many of these photographs are artfully composed and could be enlarged and viewed in a gallery apart from the series proper. Although Eggelston isn't a portrait photographer per se, neither I would argue is Harris. This is a documentary project in which Harris's surroundings are, more often than not, the main interest.

So I look at this exhibition in two ways: on the one hand, as something of a model, and on the other, as a reminder. I take it as a model because the photos that make up the series reveal a photographer constantly pushing himself to remain creative within a model that could've easily lead to redundancy and dullness. And, in direct relation, I take it as a reminder that such creativity isn't confined to what's traditionally deemed artistic practice. As Harris so wonderfully demonstrates, the life lived and its narrative don't come one after the other - they're fully intertwined.

Brookfield Place Jeff Harris

Jeff Harris Michael Stipe

Jeff Harris

Discussion

20 Comments

Derek / May 11, 2009 at 03:53 pm
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Also cool about this exhibit is what can be seen at the far right edge of the lead photograph: the leap years. The number 3653, obviously, reflects the three leap years over the ten year period in which the photographs were taken.


Alison / May 11, 2009 at 08:54 pm
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I thought this exhibit was really interesting. Sometimes he showed his hand eating a meal, sometimes his feet by something interesting on the ground, and sometimes his hand petting his cat (who appears in numerous photos). You really could look at this for exhibit hours.
Melissa / May 11, 2009 at 10:22 pm
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This was one of my favourite exhibits during Contact! Highly recommended!
andreasphoto.ca / May 11, 2009 at 11:15 pm
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I agree. I enjoyed it, it was a bit odd, a bit voyeuristic...pieced together into a long slideshow would be pretty cool.
http://www.andreasphoto.ca
Anna Pantchev / May 12, 2009 at 03:33 pm
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i really enjoyed these! great job!
Jason / May 14, 2009 at 01:36 am
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Awesome, Jeff! Such a fitting hall for a photo exhibit! Great to see, even though I can't be there!
Leanne / May 22, 2009 at 09:48 am
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This was awesome! I was told I had to check this out on a recent trip to Toronto, and I'm so glad I did. Well worth the visit, I only wish I had more time. . . I could have spent hours going over them all. Make sure you don't miss this one!
rick / June 29, 2009 at 02:29 pm
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I had been watching these on the web sicne he won a Webby some years back. The most recently available month (4/09) is distressing since its show a major adominable operation. I hop he pulled through OK.
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