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Cloud 9 More than a Gender Bender

Posted by Roger Cullman / January 28, 2010

Toronto production of Cloud 9Cloud 9 isn't just another gender-bending play about political and sexual oppression that's hit Toronto theatres recently (see My Mother's Lesbian Jewish Wiccan Wedding and Spring Awakening).

Opened at Toronto's Panasonic Theatre this week, it's a cheeky new production that features an all-star Canadian cast, including Ann-Marie MacDonald, Ben Carlson, Megan Follows (yes, that Megan Follows), Yanna MacIntosh, Evan Buliung, David Jansen and Blair Williams.

The contemporary comedic musical by Caryl Churchill is deftly directed by Alisa Palmer and is a raucus mash-up of age and gender, race and sexuality.

It's the kind of production that, while written in 1978, has matured well for today's audiences. A lot of the content may have been too racy for its time. In 30 years, many of the adult themes such as homosexuality, masturbation and pedophilia, are likely to be received much differently.

Act 1 of the Toronto production of Cloud 9Then again, staging Cloud 9 in between a successful run of MMLJWW is a rather convenient coincidence.

Cloud 9 (the play) should not be confused with Cloud 9 the movie, which was released last spring. While both stories tackle issues of age, sex and infidelity, the Mirvish production of Cloud 9 does so in with such wit and frivolity that it's got to be experienced first-hand to enjoy fully.

It's got a white man playing a black man. It's got men playing women who played men in act one (as well as women playing men who played women). The production's two acts are set 100 years and continents apart. Act one takes place in British colonial Africa in Victorian times, while act two (after intermission) has many roles reversed and turned on their heads, as the characters are portrayed a mere 25 years older, circa 1979 in London, England.

The entire cast perform at a level that absolutely draws you into their sordid story.

Cloud 9Particularly enchanting is Blair Williams, who portrays Harry Bagley, a wandering adventurer. Fans of John Cleese's style of physical comedy will appreciate his stage presence in this show. Williams' expressive eyebrows and telling body language reveal a lot more than what is spoken by his character: "Friendship between men is the most noble," is an obvious double entendre.

Indeed, Cloud 9 has got some wonderful quotes, delivered with such panache by characters of questionable morals that, by the end, one can't help but feel empathy towards them.

When Betty, a recent divorcee, tries to pick up her gay son's ex-boyfriend, she realizes aloud, "I've never been so short of men's company that I've had to take the company of women."

Cloud 9's set and costume design, by Judith Bowden, had just the right amount of detail and flare to carry off this show at the Panasonic Theatre. I enjoyed seeing the actors without those silly airplane-pilot microphones that most staged musicals seem to rely on nowadays. The songs, of which there weren't that many, sounded great -- especially when sung by the entire cast.

Cloud 9 runs until Feb. 21 at the Panasonic Theatre (651 Yonge St.). Tickets are $30 - $65.

Photos by Cylla von Tiedemann.



Christopher / January 28, 2010 at 10:15 am
Really looking forward to seeing this tonight.
First live theater production I've seen in quite a while since leaving Montreal, QC.
Sandy / January 28, 2010 at 10:41 am
This is a great production, I saw it on Saturday night (my review at

A minor correction: the quote that you've attributed to the character of Lin, above, is actually spoken by the character of Betty.
Vanessa / January 28, 2010 at 11:25 am
I saw this last night and loved it. The performances were all fantastic. And it's so great to see Megan Follows playing roles with some grown-up sexual edge to them, with lines like "Will you have sex with me?"... directed at a woman, no less!
Roger replying to a comment from Sandy / January 28, 2010 at 01:52 pm
Thanks for sharing, Sandy. The name's been corrected in my review now. :)
Megan Mooney / January 28, 2010 at 04:30 pm
I didn't review this one, one of my other writers reviewed it. But, one of the joys of being the editor is that you get to wiggle your way in as your writer's date. Which means I got to see it, even though I'm not reviewing it.

We both loved it. A lot.

Seriously, it was FANTASTIC.

I think I want to see it again...

Lauren / January 29, 2010 at 08:22 am
Nicely balanced review Roger. It definitely had more than a few funny moments and was well acted. Your point about the songs was fair - they were best done by the group as a whole. I felt the second half lacked some of the panache of the first. I liked it, but didn't LOVE it. Worth seeing, though.
david / February 11, 2010 at 11:28 pm
well acted, but the show's dated. I find that kind of political theatre rather boring.
Sidwell / February 16, 2010 at 04:49 pm
As a young, gay, African man, I felt that this was a complete waste of both time and money. Not only was the show offensive and crude, but the acting was poor and the entire performance had the feel of a childish high-school production. I've seen many role/gender/sexuality deifying plays in New York and London and this one does not match up to any. Very disappointing. Wish I could get my evening back...
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