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Theatre

Thursday Theatre Review: Sweeney Todd

Posted by Megan / November 8, 2007

Edmund Bagnell and Judy Kaye in Sweeney Todd
Ever wondered if singing and murder go well together?

Well, Sweeney Todd is just the place to find out. This musical is based on an urban legend about a barber in London who kills his clients and his neighbour bakes the victims into delicious meat pies. You may also recognize the name because of the upcoming Johnny Depp movie, which is based on the Sweeney Todd musical.

So, preempting the movie, my show partner Mandy and I headed off to see the touring company of Sweeney Todd that is part of this year's Mirvish season. Mandy told me as we arrived at the theatre that she'd never been to a professional musical before. After the show, when I asked her if it was what she expected, she said that it pretty much was, but that there was less dancing than she expected. She explained that she understood not all musicals needed to have dancing but "you know, dancing is kind of fun".

Of course, just because there wasn't dancing doesn't mean the show wasn't fun. Although I don't think I'd call this a comedy per se, there were lots of laughs to be had, and there was certainly a wealth of talent on stage.

The entire cast was great, and unbelievably talented - all the actors played instruments on stage in the production, so these people sang, acted and played the score, all at once. I'm not sure it's legal for people this talented to exist.

Specifically, Mandy and I were both very impressed with Judy Kaye who played Mrs. Lovett and David Garry who played Sweeney Todd, they had wonderful chemistry on stage and . David Garry has a voice that will make you swoon, it travels through your body and grabs you by the gut demanding your attention. I have to admit, I ended up having a crush on Garry's voice.

I mentioned earlier that the actors played the score on stage and there was no orchestra pit. It is an interesting choice to have the instruments become part of the story. Although it brought out a whole new level of impressed in me when it comes to the actors, I think ultimately I didn't like it as much. Things feel a bit hemmed in for me, less opportunity for moving around, maybe even an element of distraction. It's hard to describe. Although, even though I'm not sure it worked for me, I'm still glad to have seen it, because I was very curious to see how it would play out, and I have no doubt it's a personal taste thing, and for others this will be their favourite part.

In terms of overall impressions, when I asked Mandy if there was anything she didn't like about the show she said: "the theatre was too cold!"

If her only complaint was the climate, then this production must have gotten it right.


Details:

- Sweeney Todd runs Tuesdays to Sundays at the Princess of Wales Theatre (300 King Street West) until December 9
- Ticket prices range in price from $45-$90 (top balcony tickets for the Wednesday 2pm matinee are only $30)

Photo of Edmund Bagnell and Judy Kaye by David Allen

Discussion

8 Comments

Chris / November 10, 2007 at 09:46 pm
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I've seen Sweeney Todd three times....this was to be the forth. One of the worst productions I've seen, we walked out after an hour. The sound was terrible. You couldn't understand a word they were singing. The instruments onstage were a total distraction. What brain thought of that?
Angela Landsbery would be rolling her eyes in disgusted.
Total waste of 95 dollars per ticket.
Dave / November 17, 2007 at 09:23 pm
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Well to each his own. I've seen a half dozen productions of Sweeney, the last being CanStage's muddled bloodbath a few years back. This production is pure genius. I was 3rd row centre so I'll accept I was spoiled somewhat. As Megan noted, the actors/musicians were incredible. As an accomplished musician and music director of dozens of musicals myself, trust me, this is one crazy-ass special production. The 10 member cast has the whole score memorized. This is expected of singers, but practically never required for the pit orchestra and for good reason: it's bloody difficult. Not so for this show! The music comes a living breathing organism in these actor's hands, as each listens intently to the group, often singing and playing at the same time, with impeccable pitch and timing. I've paid lots to see dozens of imperfect Broadway, London, and Toronto productions with sloppy conducting, musicianship, and/or especially weak leads straining to maintain pitch and rhythm on stage. Never once does that happen here. WOW!!! Half of this group were part of the new cast album recording back in 2006, and the two main leads, Judy Kaye & Alexander Gemignani were even better than Patti Lupone's (notoriously flat pitched) and Michael Cervaris' fine recorded efforts.

Beg, borrow, steal, just get your sad self downtown to see this show before it moves on in its North American tour. This could well be Sondheim's greatest work. The new orchestrations by Sarah Travis made every instrument integral to each characterization portrayed by the small ensemble onstage. Good luck seeing anything this "genius-dripping" again in Toronto. True, if you're looking for dancing, do NOT see this. There is little. Go spend yer hard-earned cash on Dirty Dancing, or some other "feel-good" offering, where the audience won't be challenged to listen to every note, every word, and every nuance. Bravo, Mirvish Theatre and to all who worked so hard to bring this production alive! I thank you!
Kylemore / November 19, 2007 at 05:56 pm
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I absolutely hated this show. Perhaps if one was closer to the stage you would get more out of it. Except for Mrs Lovett I could not understand a word the other actors were saying-singing!! I thought I was going deaf but was told by other theatre goers that they could not understand a word either. I would never recommend this to anyone. It was a huge disappointment.
Yasmine / December 2, 2007 at 02:22 am
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In one word: appalling. I've seen a dozen shows at the Princess of Wales, most of which were quite good, and this production was beyond redemption. Please don't waste $10, let alone $95, on complete crap. You'll be outraged, just like the 20 or so people we ment in the lobby at the intermission who were walking out at the same time we were.
Jim / December 9, 2007 at 01:27 pm
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Much is expected at $100 per ticket; little was received. Total distraction with players carrying instruments. Talent sure, but production poor. Where is the money going for this one?
lisa Brooke / December 10, 2007 at 12:26 pm
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the closing performance of sweeney todd at the princess of wales theatre in toronto was my first experience with the play. while i can certainly appreciate the level of difficulty involved in staging a production where the actors are scoring the show at the same time, i was disappointed that this show just wasn't that entertaining. i was hoping that sweeney todd himself would be more threatening, more frightening, more nightmarish. from the moment i saw him take the stage i thought to myself that the actor playing sweeney seemed dressed to be waiting tables. the staging seemed simultaneously cramped and sparse, and the action was difficult to follow. the staging of sweeney's 'kills' was too presentational, lacking the blood and guts that are the signature elements of the show. to each his own for sure, but i found myself checking my watch a few times too often. i will definitely try to see the show again when the staging is more robust.
Tara / January 9, 2008 at 01:08 pm
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well...a few already said it....me and my boyfriend paid $200, $100 each to see this play. I dont want to sound mean...but im serious when i say....i fell asleep for about 5 minutes. My suggestion would be ( not like it maters) but....there was no acting at all...they should focus more on acting rather than the song that never ends. I also agre with Jims coment, i think that Sweeney looked very innocent and not what his character was supposed to be, he was supposed to be scary...he murdered so many people. I saw the actual movie and it was amazing! soo..all i have to say is....amazing singers...but bad prestation....and bad entertainment.
Richard & Kimberly / June 1, 2008 at 10:31 pm
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I have never in my life seen a play with the same setting throughout, actors playing instruments "which was extremely distracting", and such poor costume design. After Pirelli, the elixer selling barber, is murdered not only does he not fall from the chair but stands up and starts playing his instrument. This was the most uncreative, waste of money I have ever experienced. I thank God that I did not pay for the $100 tickets because I would have had a fit. The actor playing sweeney looked like he worked at applebees, the fact that there was no change in settings/props was extremely confusing and boring. There wasnt even a barbers chair? Come on, for the price of those tickets they could have afforded one. They were using ladders all over the stage and I found that ridiculous. HORRIBLE, SAD, and DISAPPOINTING. Please do not waste a penny on this show, it was depressing.

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