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Music

Dirty Projectors mix with Purity Ring at the Music Hall

Posted by Igor Bonifacic / July 8, 2012

Dirty ProjectorsOn Friday night, Dirty Projectors and Purity Ring played the Danforth Music Hall. Both bands brought with them a collection of soon-to-be-released songs to delight their fans with.

Purity RingPurity RingTo say that I was excited to see Purity Ring open for Dirty Projectors after missing their NXNE set would be an understatement. Fortunately, the band delivered on all fronts. In addition to playing their four well-received singles, the duo showcased songs from their upcoming full-length debut, Shrines. The quality of their material is solid throughout, and like their unique twist on indie-electronica, the group has an equally captivating live show.

Corin Roddick, the group's producer and multi-instrumentalist, plays a custom built instrument that resembles a tree lined with glowing orbs. Each of the eight orbs on the "tree" lights up when touched and emits a sequenced sound of Roddick's choosing. So, for instance, on "Obedear," the orbs took on the role of synth, and Roddick delighted the audience as he started to improvise with the orbs, each of them lighting up magnificently as he gently tapped them with his drum sticks.

Purity RingThe sugary, sweet voice of Megan James was also pitch perfect, and the band did a lot to endear themselves to the audience. Before embarking upon "Obedear," James asked the audience to move and most of the audience obliged, with some even breaking down into a groove.

If there was one issue with their live show, it was that the band, shrouded in darkness for much of their set, was tentative on the stage. However, that's something that's relatively easy to resolve (in theory), and it must be said that really no other band out there doing what Purity Ring is doing right now.

Dirty ProjectorsDirty ProjectorsOf course, Purity Ring wasn't the only band with unreleased material to showcase, as Dirty Projectors is set to release the followup to Bitte Orca, Swing Lo Magellan, on July 9 (the entire album has been uploaded to Youtube, and can be heard here). As a result, the majority of their set consisted of new material.

The first song the band played, a tune called "Offspring Are Blank," is built on top of a hip-hop beat, and furthers the group's exploration into the world of R&B songwriting. As with frontman David Longstreth's previous work, the song evokes some pretty strange imagery. It appears that the song is describing a love affair between a snake and eagle, "And in the marriage of eagle and snake," and the result of that cross species mating, "The parents are fertile, but the offspring is blank."

Needless to say, the song's subject matter is hardly one that is considered traditional pop song fair, but, damn, was it infectious on Friday night. Halfway through the song, Longstrenth breaks into one of his signature instrumental freak outs as he sings, " He was made to love her / She was made to love him / And their offspring loved them." It was riveting stuff.

Another new song the band played, called "The Socialites," features backup singer Amber Coffman on lead vocals. The charm of the song emanates from Coffman's cute voice, and a delicate, summery finger-picked guitar phrase from Longstrenth. Unlike "Offspring Are Blank," the lyrics to "The Socialites" is more straight-forward, describing the hurdles and pitfalls of trying to integrate oneself into a ritzy social group. It's not quite "Stillness is the Move" good, but it gets close.

Dirty ProjectorsThankfully, the band didn't neglect to play more familiar tunes, either. Old favourites like "Cannibal Resource" and "Useful Chamber" were well received, and the Solange Knowles approved "Stillness is the Move" received massive applause. It must also be said that the band has never sounded as good as last night.

Part of that must have been the handsome venue the group found themselves in, but also the fact that a personnel switch saw the band with a new drummer. Moreover for the majority of his guitar work, Longstrenth has switched from his signature Fender Stratocaster to a Gibson Les Paul, and it has paid dividends. The songs Longstrenth played with his Les were missing the ear puncturing treble that Strats are know for producing.

So, Friday night presented an opportunity to get acquainted with Dirty Projectors' newest material, and while it takes a lot more than one listen to get acclimated to Longstrenth's songwriting, what I heard on Friday night sounded promising, which is something we should all be excited for.

Setlist

Offspring Are Blank
See What See Seeing
About to Die
Gun Has No Trigger
The Socialites
Cannibal Resource
Beautiful Mother
Maybe That Was It
Dance For You
Just From Chevron
Useful Chamber
Impregnable Question

Encore

Stillness is the Move
No Intention
Unto Caesar

Photos by Brian Morton.

Discussion

8 Comments

curious / July 8, 2012 at 05:34 pm
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"...it must be said that really no other band out there doing what Purity Ring is doing right now."

are you really prepared to stand by that statement? or at least elucidate what it is that makes them wholly unique?
Igor replying to a comment from curious / July 8, 2012 at 07:09 pm
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Sure. In my opinion, the group pulls from sources that most listeners will be familiar with -- in particular, Roddick's production draws inspiration from someone like Clam's Casino, and singer Megan James, while having a sweet voice, doesn't exactly have the most idiosyncratic voice in either indie or electronic music. However, there's something about the group's execution and synthesis of these elements that seems -- to me at least -- to be wholly unique to them. In fact, I've heard other group's with a similar approach -- for instance, BSBD's album Slow Burning Lights -- but something about how effectively Purity Ring have tied their disparate musical influences together that sets them apart from their peers.

Of course, there might be a group out there that's doing exactly the same thing, and I've failed to take them into account. If so, feel free to illuminate me :)
curious / July 8, 2012 at 10:07 pm
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ah, now i see where you're coming from-thanks for clarifying. personally, i think you're right in as much as i can't name another 2-piece-group off the top of my head that specifically writes hook-heavy pop songs specifically using an 808, pitched up/down vocals, and gated synths. however, i do get a little hung up on the purported originality of their sounds and performance. it's reductive, and i'm sure some might take offense, but to me they seem like a clever combination of sleigh bells and crystal castles. i say sleigh bells for the dynamic, uniformity of sound and performance. crystal castles for the electronic elements and bit of darkness. the beat and synth sounds are very well established, and that sampled vocal effect has been around for awhile (while they're not the progenitors, see 1:41 of crystal castles 'violent dreams' as a quick example).
curious / July 8, 2012 at 10:11 pm
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and for the record- i do really appreciate that they 'perform' their music, even if it mostly is fancy midi-triggering. way too many 'electronic' groups are content to bring their ableton on stage and let the sequencer do most of the work while they do karaoke.
Igor replying to a comment from curious / July 8, 2012 at 10:23 pm
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No problem. Thanks for allowing me to explain myself -- obviously I should refrain from making such sweeping statements in the future. I hadn't thought of the Crystal Castles/Sleigh Bells connection, but I think you have a good point there. And yes, more "electronic" groups need more involved live shows.
correction / July 8, 2012 at 10:24 pm
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Purity Ring's upcoming album is Shrines not Shines. At least according to their Tumblr.
Igor replying to a comment from correction / July 8, 2012 at 10:25 pm
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Opps. You're correct. Thanks for the tip ;)
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