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Music

M.I.A. takes control at the Sound Academy

Posted by Ryan Bolton / September 23, 2010

M.I.A. at Sound AcademyAnd the show starts with M.I.A. being, er, MIA. The internationally acclaimed electronic shock rocker is late. M.I.A.'s tour DJ comes on stage to let the crowd know she's running behind and starts spinning some floor-vibrating beats to get the crowd to "vibe out and start dancing." It works.

Some 20 minutes later, M.I.A. hits the stage. Playing the undesirable Sound Academy last night, Maya Arulpragasam is on her second night of her fall international tour for her third album, /\/\/\Y/\ (Maya). With a multi-layered get-up that was slowly shed to reveal a black "Fuck Google, Ask Me" T-shirt and sunglasses, M.I.A., a recent mother, had three back-up singers in full burkas. She does like the controversy, even though the message comes off as overly contrived all-too often. And to stoke the fire more, she had two redhead-looking b-boy dancers allowing her to play off her controversial, YouTube-censored ginger-genocide video for "Born Free."

M.I.A. at Sound AcademyBut M.I.A. is very much a performer. She has her character-shtick-real-life-persona very much on lock. And she's damn good at it. She let the well-informed crowd know of her anti-authority and anti-consumerist ideals at various points, once yelling: "I don't give a fuck if no one buys my shit, it should be free!" Meanwhile the crowd threw down $40-75 to be at the show.

M.I.A. at Sound AcademyHitting the stage to the new, danceable "Illygirl" she had the audience's arms in the air. And she kept them there. But it was when the DJ switched to the past catalogue of smash-up, eclectic hits - Arular (2005) and Kala (2007) - that the audience lost themselves. It was evident when the rowdy anthem "World Town" hit the diverse crowd that the mood changed. And talk about a diverse crowd - I was standing amongst hip-hop kids, indie rockers, a couple punks, club-ready girls and some suits in the $75-a-pop VIP. Then again, Toronto is a true "World Town."

M.I.A. at Sound AcademyThe 70-minute set mixed new and old, and often extended or remixed tracks. "Bamboo Banga" was given a distortion-heavy intro and other songs were blended with very M.I.A. multi-sound transition beats. The rapper-turned-pop-star even jumped on her DJ table to dance along. The production was fair with lots taking place on stage (see: three burka-wearing back-up singers, two hip-hop dancers, a DJ and M.I.A.'s protégé Rye Rye who opened the night with her a machine gun-fast lyrics and stellar dance moves). But sometimes this just blankets the fact that there's no live band, just a singer and DJ.

M.I.A. at Sound AcademyBehind the onstage dance war zone was a massive new-age barcode. The barcode was then dropped to reveal a pixilated screen that ran your branded M.I.A.-inspired kitsch art of neon colours and flash videos, similar to the new video for "Story To Be Told," which fell flat on the audience. Most of the new material, actually, felt stale in comparison to the old, well-traveled tunes. This save for the accessible club track "XXXO," which she performed live for the first time, and the punk-slash-distorted banger "Born Free." For the latter, which was the closer, M.I.A. called for a mosh pit, but didn't really get a full one.

M.I.A. at Sound AcademyChanging up the setlist from last night's Montreal stop, which kicked off the tour, M.I.A. opted for a four-song encore over the previous one-song conclusion - an encore that actually had the VIP crew off their couches and leaning against the rails. This came with the obvious international crowd-pleaser "Paper Planes." The point when everyone, understandably, lost their shit.

But to end the night, M.I.A. closed with a dance party inviting the crowd onstage for "Boyz." Notably standing on the speakers and leaning into the crowd for much of the set, allowing many wandering hands to reach up, M.I.A. at one point asked the security to grab a hold of her leg so she could "connect with them." And closing with a giant dance-off onstage, the connectivity was physically, if not audibly on display.

M.I.A. at Sound AcademyM.I.A.'s Setlist:

-Illygirl
-World Town
-Steppin' Up
-Bamboo Banga
-Bucky Done Gun
-Amazon
-Lovalot
-XXXO
-Story To Be Told
-Galang
-XR2
-Born Free

Encore:

-Teqkilla
-Paper Planes
-Boyz
-10 dollar

Writing by Ryan Bolton / Photography by Matthew McAndrew

Discussion

13 Comments

Harriet / September 23, 2010 at 10:12 am
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LOVED the mosh pit!!!!!!
marlon / September 23, 2010 at 11:01 am
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sad I missed it. shame when any anti establishment goes establishment ($40-$75)
RealTalk / September 23, 2010 at 11:28 am
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I was there. No one can deny this woman can put on a show. I was upset she didn't do Jimmy or Pull Up the People or URAQT though. But all in all a sick show.
Stra / September 23, 2010 at 11:48 am
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she lives in Brentwood with a Bronfman - anti-establishment?
Melissa / September 23, 2010 at 12:06 pm
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"But sometimes this just blankets the fact that there's no live band, just a singer and DJ."

Are you kidding me? An artist like M.I.A and a DJ are worth 1000 of the shitty bands out there today. Your article was great, until I read that, and then I stopped.

Consider only covering "live band" events.

Ugh.
Al replying to a comment from Melissa / September 23, 2010 at 12:30 pm
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Agreed! The absence of a band does not mean a show is less worthy of praise. We live in a digital age and theres something to be said about an artist that can rock a crowd with a few turntables and a mic..
marlon replying to a comment from Melissa / September 23, 2010 at 12:44 pm
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Agreed! Ridiculous statement. So many boring bands. so many dope performers with out a band. not compensating for anything just putting on a live show
Hello / September 23, 2010 at 12:46 pm
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Triple Agreed. I rather have a sick DJ and a mic than a mediocre band any day.

Mark replying to a comment from Melissa / September 23, 2010 at 02:24 pm
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All of you seem to be missing the point. MIA gave the illusion of filling up the stage with a half-dozen redundant back-up vocalists that were there purely to dance and fill up the massive stage of the Sound Academy. Plenty of urban acts play shows with DJs, singers and full bands, or at least live bass/percussion with a DJ and vocalist. The reality of the situation is that MIA resorted to filling the stage with dancers rather than actual musicians. Good for the author for calling her out on it.
impoverished and marginalized / September 23, 2010 at 07:15 pm
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40to75lolplease

Yesyes / September 24, 2010 at 12:47 am
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You'd probably prefer 10 dollaaaa...
hayzlee / September 24, 2010 at 05:33 am
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i don't think it matters not having a band, alot of that would be awkward played by a band, all the mixing. no need 4 a useless band, it sounded great! i could have gone 4 a few more songs 2! i was feet from the action, 4 people ahead of me they were touching her. if i had been any closer i would have gotten up on stage! but the guys were pushing just as much as the girls! oh well, hopefully she comes back!
gb / September 24, 2010 at 05:09 pm
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hey all, does anyone know the name of her dj?? or any of the songs the dj was spinning before the show??

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