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Music

Peter Murphy's dark redemption at Lee's Palace

Posted by Roger Cullman / August 12, 2010

Peter Murphy at Lee's Palace in TorontoPeter Murphy and his booming goth voice filled Lee's Palace Tuesday night.

After seeing him perform at The Opera House just over a year ago, I was somewhat reluctant to witness another show featuring a camera-shy, aging goth belt out his old hits and favourite new covers.

Peter Murphy at Lee's Palace in TorontoAs it turned out, the second time's a charm, as Murphy let loose on the smaller Lee's Palace stage, unafraid to chat up the audience or hide his portly gut.

The concert was a great nightcap for me, after seeing The Death of Alice Blue, a goth-tinged dark comedy set in Toronto.

Peter Murphy at Lee's Palace in TorontoThis concert was the last stop in a mini-tour. A prelude to something bigger coming soon, as we were told in between a selection of dark and mysterious songs.

Peter Murphy at Lee's Palace in TorontoThere were 18 songs in all performed to a predominantly black-clad, sweaty crowd. Most of the tunes were culled from Murphy's catalogue of solo albums, with a hint of Bauhaus gems and covers thrown in for good measure.

I loved hearing A Strange Kind of Love, with its bare acoustic guitar and resonating baritone voice, during which he dipped into chants of "undead, undead, undead" to chilling effect.

Peter Murphy at Lee's Palace in TorontoAnnounced as "a new song that we're absolutely going to love," Prince indeed was one of my favourite songs performed on the night. Let's hope there's more where that came from.

By the encore, Murphy actually had a bit of banter with the audience after a few shrieked requests were thrown his way when he tried to address the crowd and kept getting interrupted. Finally, he gave in and let a young woman say her piece: "That's an interesting choice of underwear you're wearing tonight," in reference to the black straps peeping over his hips of what could only be a man-thong.

Peter Murphy at Lee's Palace in TorontoThe encore was a bit of a treat, if not a tad self-indulgent. We finally got to hear Cuts You Up, a couple of songs after Trent Reznor's Hurt. And before ending the show with a double-shot of Bowie, sending the goth crowd out into the darkness with Ziggy Stardust and Space Oddity.

Photos by Roger Cullman Photography.

Discussion

7 Comments

gil / August 12, 2010 at 10:22 am
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I was at this show and I enjoyed it. He peppered the set list with occasional covers from the likes of Bowie and Iggy Pop, but with a definite Murphy flair. He had lots of technical issues, which were distracting. The stage at Lee's is tiny, even smaller than the Opera House show last year. Even so, he was pretty genuine, joking with the crowd and very gracious.

And I'm sure he would be offended at the use of the word 'goth' to describe him. He was around before there was such a thing.
rick mcginnis / August 12, 2010 at 11:17 am
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I'm trying to get over Peter Murphy with male pattern baldness.
John Stein / August 12, 2010 at 03:36 pm
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I was at this show and I thought it was boring as hell... Murphy's voice has not aged well and all his songs sounded the same. The technical issues were too much and poorly organized. Pretty tired of Murphy always covering Reznor's Hurt (yawn).
dnr / August 12, 2010 at 11:31 pm
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Lees Palace is a joke.
sasha / August 17, 2010 at 08:50 am
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911 is a joke
Curt S. / August 17, 2010 at 10:27 pm
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Peter Murphy needs to retire soon. This was one of the worst shows I have ever been to. His new songs were pretty forgettable. The Trent Reznor song Hurt was pretty stale. Johnny Cash was the only person who ever sang that song decently.
Shawn C. / November 15, 2010 at 09:12 pm
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This show was absolutely incredible. Peter Murphys' talent was much larger than the venue, and was bursting at the seams. To be in that much of an intimate venue, with Peter getting his chops up for the upcoming tour was an honour.

He was in great spirits, a nice peek into the mind of the "Goth Father", where his personality does not directly match his stage persona.

His lyrical abilty and showmanship paint a vision of sound and mind. If you pay attention to the songs, you can understand what he is trying to accomplish.

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