Is the End Near for Toronto Record Stores?
The last time we moved, I had twenty boxes of CDs, and I vowed as I humped them up two flights of stairs that I'd never move them again. We take possession of our first house in two weeks, so I've been trying to dispose of the last of the CD and vinyl collection I've been slowly evaporating for several years, which by now has been distilled down to its most obscure and esoteric remainders.
Toronto has always been a good city for record shops, even now in the digital era, when it's the big chain stores that seem to be suffering more than the independent new and used shops that dot the city. Disposing of most of what remains of my own CD and LP collection has made me start wondering what the city - or any city - will be like in an age, probably not too far from now, when record stores begin to disappear from the urban landscape.
It was record stores that first lured me downtown weekly from the suburb where I grew up, and certain locations - a long-gone doorway near the western end of Holt Renfrew on Bloor, a spot just by the northwest corner of Yonge and Dundas, a pricey eatery called George on Queen East - will always be associated with Round Records, Records On Wheels and the original Record Peddler, all long-gone, though branches of Wheels apparently still survive in Sudbury and Dundas.
Even more than bars or clubs, record stores became a second home, which adds three more locations to my personal record store deadpool - Driftwood, Republic Records and the nearby Queen and Spadina branch of Vortex, all of which employed or were owned by friends, neighbours and roommates. Spending as much time as I did in record shops probably accounted for the monstrous state of my record collection when my wife met me, though I don't regret a thing. Collecting music is just about the most harmless hobby a single man can have, though I can't help but envy anyone beginning their collection now, which can be guiltlessly stored on a hard drive the size of a paperback book, and not on imposing walls of shelves, or rickety monoliths built from milk crates that were kryptonite to all but the most bohemian of prospective girlfriends.
I've been disposing of the remnants of my CDs and LPs at Amoroso Music on St. Patrick, who've been more than happy to take care of the unwieldy mix of classical, jazz, experimental and easy listening records that have been left above the high water mark of previous liquidations. The changes in the used music market are truly wondrous - LPs, which were once considered obsolete junk during the golden age of the CD, are back in fashion, and vinyl that I was once lucky to unload for fifty cents now has resale value, adjusted for inflation, almost identical to what I paid for it, many years ago.
LPs have become rare, and may one day be a specialized collectible medium, like 78rpm discs and Edison cylinders. CDs are still common, though jazz and classical - still desirable to older collectors and audiophiles - command better prices than the pop and rock discs that went for as little as the LPs I had a hard time unloading back in the '90s. The record industry is pressing fewer of them, though, which brings to mind some sort of variation of "peak oil," where CDs will eventually become scarce, increasing in value and rarity after the bulk of them disappear into landfill.
It's a collector's market, though, catered to by websites and boutique stores with mail order operations - in Toronto, Soundscapes is probably the harbinger of this new model. In time record stores will join other genres of shops that have either vanished from the urban landscape or evolved into high end retail - equestrian supplies, men's tailors, bookbinders, shoemakers, milliners and Chinese laundries. Anyone who's lived on or near old north-south streets like Sorauren or Dovercourt can recognize the onetime groceries, fruit stands and butcher shops that used to cluster around every other corner, remnants of a time before car ownership or reliable refrigeration, when food shopping was a daily, not weekly, chore. I can imagine a day when almost every record shop will join that legion of retail ghosts all around the city, all phantoms of vanished technologies.

Comments (12)
Great post. I think the real question though is what will happen to music when record stores go the way of the dodo. As people switch to digital as their preferred method of purchasing or pirating music, we also encountered a loss of fidelity. Mp3 is by nature not as "good" quality sound as CD. There are lossless forms of digital music, but few tend to use them as they cannot be compressed as small and we all know that fitting 16,000 songs onto your Ipod is more important than what those songs sound like.
I'm usually inclined to buy CD's when the album artwork goes beyond a boring band picture with lazy graphic design, particularly for new or re-releases. The past few CD's I've bought were purchased not only because I enjoy the music, but because the visuals inside and originality of the packaging was impressive.
It does, however, mean more work through different media has to be accomplished and not all record companies and artists can afford it, but I think that attractive aesthetics can create profound artistic statements that will make people want to go out and buy the album instead of just downloading the tracks.
Nice piece.
I feel that there will always be a contingent of folk' who will continue to buy cds, and even vinyl; as long as things like turntablism et cetera hang around (and evolve), which 'require' the manipulation of physical devices, the demand will remain.
I am really happy to see places like Criminal Records (Queen W.) doing well, and even the big HMV on Yonge has a decent import vinyl collection.
One place I really miss for diggin' in the crates is the basement of Play De Record ($4 albums, $2 singles); I built up a lot of my late 80s/early 90s hip-hop collection down there *le sigh*
jonathan@blogTO
I'm 24 and I buy lots of vinyl, if I truly love the band... (and feel like my generation gets passed off as the MP3 and CD generation, so I want to speak up.)
Despite being born north of 1980, and growing up with the "wonders of technology" buying vinyl seems to be the only way that I feel like I'm not getting ripped off. 1) it sounds great; 2) CD's always end up scratched, on the floor in my car or lost, because they are chap, and easily ruined. You buy them, put them on the computer, they get scratched, you re-burn the cd from itunes, and so on and so on. Feels like the long expensve way of buying MP3's; and 3) if I get it on vinyl, I look after it. The vinyl will last a really really long time, without much deterioration in quality, if only cared for well... and I can handle that.
If I have $15 to spend on an album, I will always try to find it on vinyl first, and these record stores are really crucial to that. I hope they stick around long enough for me to get an 'adult' salary and buy the rest of my favorites before the doors close forever.
I think one of the great things about vinyl sales nowadays is the digital download coupons that are often included, at least with regards to newer records being pressed and re-released. I've found myself buying vinyl editions of releases when possible, since I know I'm only going to rip the CDs to my computer or MP3 player later on.
As for the death of the record in general, nothing can beat the album artwork and gatefold designs for me, personally. There are a number of amazing album covers that I've just had to buy the vinyl for. As someone else mentioned, it's a shame that there's been much less of a focus on that aspect of the physical release in recent years.
re. Matthew Braga:
Ya, those coupons are awesome for newer release albums (and even some older ones now), but I ALWAYS end up losing them...heh. I still gotta find the ones that came with all my Cocorosie stuff ; P
jonathan@blogTO
Interesting comment on society's musical evolution, Rick. Care to comment on what exactly was in that "unwieldy mix of classical, jazz, experimental and easy listening records" and how much you got for them in trade?
"Record" Stores are truly a dying breed. The future of music lies in two camps: consumers and collectors, and the mass chains are hard-pressed to cater to the latter, which will make the Soundscapes of the world all the more precious.
Funnily enough, most of my best CD finds were in the early-90s when Cash Converters started popping up all over the place. Back then, there were always some "holy crap!" finds for 4-6 bucks, now all they have are Columbia House issues of REM's Monster (or their ilk).
Nowadays, when I'm in the mood to consume, the cheapest option is the Toronto Pubic Library. Awesome place to test drive stuff you're not sure about.
"Record" Stores are truly a dying breed. The future of music lies in two camps: consumers and collectors, and the mass chains are hard-pressed to cater to the latter, which will make the Soundscapes of the world all the more precious.
Funnily enough, most of my best CD finds were in the early-90s when Cash Converters started popping up all over the place. Back then, there were always some "holy crap!" finds for 4-6 bucks, now all they have are Columbia House versions of REM's Monster (or their ilk).
Nowadays, when I'm in the mood to consume, the cheapest option is the Toronto Pubic Library. Awesome place to test drive stuff you're not sure about.
Oh man - a real mess of stuff: my whole Glenn Gould collection, a lot of pre-bop jazz and swing, the better part of my Blue Note jazz, a couple of hundred blues CDs, a small but neat selection of soundtracks, most of them Ennio Morricone, a lot of Sinatra and Tony Bennett, a bunch of minimalist modern classical, and most of my country and western records, though I kept my Hank Williams Sr. and Carter Family box sets. In the end, I got between $1500 and $2000, but there was a whole huge box of rock and indie stuff that I let go for almost nothing, because I couldn't be bothered taking it back home, or to another store.
Small stores, if they can weather the financial shit are the important ones.
Chains will come and go (we just lost Virgin here in LA, last stores close in less than a month).
YOu won't miss HMV despite their prices and selection at some stores (Yonge and Dundas for example). But when say, Soundscapes (a beautiful boutique and example of what any good merchant of creative consumables should be) goes, that will be an ominous sign.
-G.
You know, if I channel my inner millennial who's acclimatized to the Web-era everything-at-your-fingertips free-for-all, there's something really cramped and perplexing about how everything revolved around music for boomers and Xers, to the point where they even needed music as a "chaser" as a means t/w cultural breadth.
Needless to say, if Greil Marcus or Lester Bangs were 30 or 40 years younger, they wouldn't be "rock critics".
















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