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CITIZEN GANGSTER is based on the true story of Edwin Boyd, the man who became postwar Toronto's most famous criminal. Edwin Boyd has returned from WWII and is dismayed by public indifference towards veterans and humiliated by his inability to fulfill his dream of being a Hollywood star or provide for his children and wife Doreen. Seeing only disappointment in the face of his policeman father, Eddie is desperate and starts to rob banks. But what starts as friendly and flirtatious robberies, performed while wearing thick makeup, evolves over time into a career that when mixed with a gang of small time criminals is not unlike that of Clyde Barrow or Butch Cassidy, in which crime and love are mixed to get explosive results.
A frank portrayal of adolescent eroticism, female division, which seldom gets portrayed onscreen at all, much less at the affectionately candid level explored here, the film is set in a less-than-vibrant burg of western Norway that everyone seems to hate; Alma and her pal Sara ritually flip off the sign that bears its name, Skoddeheimen, each time their school bus passes it. Turn Me On, Dammit! concerns itself with a number of the usual teen-movie tropes, including the loyalty of best friends, the cruelty of adolescence and the torture inflicted on the young by their parents. The paramount issue, however, is Alma's burgeoning lust. Helmer Jannicke Systad Jacobsen interweaves Alma's fantasies, which involve just about anyone, with her day-to-day routine around the curiously named Skoddeheimen and her floundering flirtations.


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