City
A brief history of the Dufferin Gate at the CNE grounds
Over the last 133 years the Canadian National Exhibition has evolved from a travelling agricultural show into Canada's largest fair, the one and only "Ex." Once the main entrance to the exhibition grounds, the Dufferin Gate at the foot of Dufferin Street has welcomed excited visitors to a world of innovative, thrilling, ingenious and bizarre exhibits for over well over a century.
The original Dufferin Gate was built in 1895, seventeen years after the first permanent exhibition was held on the site, to serve as the principal route into the exhibition grounds. The area in front of the small wooden structure served as a natural meeting place for groups preparing the enter the Ex.
In the first years of the 20th century major renovations at the exhibition grounds added several new structures — including Manufacturers' Building in 1902, Art Gallery and Administration Building in 1905, Horticultural Building in 1907, Railways Building in 1908 and Government Building in 1911 - reflecting the increasing popularity of the annual show.
In 1910 the wooden entrance was torn down and replaced with architect G. W. Gouinlock's grand structure. Designed to act like a funnel, single-storey wings curved away from the towers on either side of the entranceway ending in small, domed pavilions. Complete with a streetcar and railway stop, the new gate was decorated with flags, lightbulbs and garlands, lending the place a "deliberately theatrical" look, according to William Dendy in his book Lost Toronto. Once inside, visitors were presented with a tree-lined view leading down to the lakeshore.
The area between the towers was filled with electric bulbs in the shape of two maple leaves in 1927 to celebrate the 60th anniversary of confederation. That same year the Dufferin Gate ceased to be the principal entrance to the Ex as the Princes' Gate at the east end of the grounds was completed and dedicated to the Prince of Wales.
The second incarnation of the Dufferin Gate was demolished in 1959 during construction of the Gardiner Expressway and replaced with the arch currently on the site. William Dendy, always a critical voice when it comes to the destruction of historic buildings, describes the concrete arch as "meagre, cheap and trite" in comparison.
Looking like a scaled down version of St. Louis' Gateway Arch (though it preceded it by four years), the current Dufferin Gate is intentionally narrower by necessity due to the space consumed by the Gardiner. Interestingly, the current gate might actually be repositioned in the near future to accomodate renovation work on the bridge immediately to the north.
Comparing the various structures, it's hard not to mourn the loss of the festive second Duffern Gate with its lights and flags to the stern parabolic arch.
Photos from the Toronto Archives


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But what I'm trying to say to that we have to respect how people felt in those days and why they eschewed older designs, even if we can see the folly in their thinking now.
When or if they have to redesign the gates when the streetcar tracks are connected along the north edge of the exhibition grounds, I hope they fit the gates with the architecture of grounds again.
Oscar Niemeyer designed half of 'modern' Brazil, including much of their capital city. From afar, those buildings still look gorgeous, but they have not aged well. Concrete is a cheap building material, but needs attention even in a tropical climate. Old City Hall was dowdy and many wanted it torn down in the mid-60s. We would view that with horror today, but the same attitude that dismisses St. Jamestown as 'ugly,' was applied to City Hall and other major buildings 50 years ago.
Just saying....