Afrobeat innovator Tony Allen jazzes up finals at Red Bull Music Academy 2007
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Music
November 3, 2007

The Red Bull Music Academy (RBMA) finished its Toronto semester last week. Held annually in different cities worldwide, the festival-style series of workshops, lectures, recording sessions, tutorials and gigs brings together the DJs, producers and musicians from dozens of countries. From a pool of some 2,250 applicants, Toronto's Class of '07 comprised 60 artists over a pair of two-week terms, plus in-house technical advisors (flown in as well as locally picked), visual artists and Red Bull Canada organizers, including Lubor Keliar, who navigates the studios and lounges smoothly: "It's kind of like a camp," he chuckles. Participants take in hours of daily lectures from guests and faculty insiders, alongside club showcases, gallery events and recording sessions (and not quite enough of the latter, notes up-and-comer Japanese minimal tech producer Akiko Kiyama). Among the final lecturers of the Toronto 2007 academy (it's Canada's first time hosting) was Tony Allen, Fela Kuti's drummer and pioneer of the singular Afrobeat shuffle on the drum kit, which he demonstrated following a longer interview-style lecture (Youtubed after the jump).
Moderated by South African-raised, Toronto-based hip-hop producer Shaheen Ariefdien whose thoughtful questions guided the corduroy-and-leather-clad Allen, the two-hour talk consisted of colourful stories interspersed with tracks from Allen's catalogue, from the early days with Fela's Koola Lobitos -- the highlife-jazz fusion that would become Afrobeat as the legendary Afrika 70 -- to Allen's later creation of his own fusion genre, Afrofunk (borrowing from electronica, R&B, rap and dub), which he's explored in collaborations including Blur's Damon Albarn and U.K. producer Simon Tong.
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